Studio1
Jeroen van Ameijde (NL/UK)
architect
[:en]Jeroen van Ameijde is a Unit Master at the Architectural Association and partner and director at Urban Systems, responsible for the management, research and design direction of the office. Jeroen has been teaching at the Architectural Association in London since 2010 as Unit Master of Intermediate Unit 6 which investigates the critical application of innovative digital design and construction processes within dense urban contexts. He has taught workshops in many universities and institutions worldwide, including with AA Visiting Schools in London, Tel Aviv, Singapore, Sao Paulo, Johannesburg and Chengdu. He is the director of the ‘MakeLab’ Visiting School and has published and lectured about digital design and fabrication worldwide. Jeroen received a Master of Science degree in Architecture and Building Technologies from the Delft University of Technology in The Netherlands. He is a chartered member of the Royal Institute of British Architects (RIBA) and is a registered architect in The Netherlands (SBA) and the UK (ARB).
Before founding Urban Systems, Jeroen has worked for more than ten years as design architect and project architect in several innovative and award-winning international offices in The Netherlands, London, New York and Hong Kong. With Contemporary Architecture Practice in New York he has worked as design architect on several high profile projects such as the Reebok flagship store in Shanghai and the PS1 competition proposal for the MoMA in New York, as well as several publications including the book ‘Catalytic Formations’ and articles published in several leading architectural journals. In Hong Kong he worked with RAD (formerly OMA-Asia) as project architect on several projects including the Taj Hotel in Noida, India, the Shangri-La hotel in Xiamen, China, and the Starcenter University Library in Jeonju, South Korea.
http://urban-systems-office.
http://www.s-t-x.net/?page_id=
http://makelab.aaschool.ac.uk/
http://urban-systems-office.
http://www.s-t-x.net/?page_id=
http://makelab.aaschool.ac.uk/
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Luis Rodil-Fernández (NL)
artist
Luis Rodil-Fernández (1977, Asturias, Spain) is an artist, researcher, teacher and hacker that taught himself computer programming by cracking computer games as a child. Luis studied computer science in the University of Oviedo but dropped out to work as a software developer while living in England and The Netherlands. Later returned to academia to earn a BA with Honours at the Rietveld Academy in Amsterdam and a Masters in Music from the Royal Conservatory in The Hague. His work is concerned with the impact that technologies have on cognition and the human body with particular emphasis in movement and embodied interfaces. Through performances, installations and social games, his work proposes a critical approach to human-computer interactions rooted in movement. He is part of the Qualified Self project an international research-creation programme that aims at exploring the expressive potential of the new wave of biosensing technologies that are marketed under the moniker of Quantified Self. He is co-founder of Algo Research Systems, a platform for researchers, curators and artists that investigate how the increasing automation of society alters the social order, creates mythical narratives around technologies and subjects the human to systematic automatisms.
Studio2
Satoru Sugihara (JP/USA)
architect
[:en]Satoru Sugihara is a principal and founder at the computational design firm ATLV founded in 2012. Prior to starting his firm, he worked as a computational designer at Morphosis Architects for five years engaging in large scale construction projects,competition projects and research projects. He also worked at DR_D and Greg Lynn FORMas an architectural designer, and at International Media Research Foundation in Tokyoas a researcher in media art and interaction design. He is currently a faculty member at SCI-Arc teaching computational design seminars. He also taught computational design workshop atUniversity of California Los Angeles, AA Visiting School Bilbao, theUniversity of British Columbia, EcoleNationaleSuperieured’Architecture Paris-Malaquais, Woodbury University and Tokyo University of the Arts. Satoru Sugihara received the M.S. in computer science from Tokyo Institute of Technology in 2001 and theM.Arch. from the University of California, Los Angeles in 2006. He was the recipient of Best Paper Award in ACADIA conference 2014. He had his solo exhibition “Agent-Based Computational Design” at AA[n+1] gallery in Paris in 2015. He also publishes open source computational design software iGeo to contribute to the computational design industry and education by sharing what he developed for his computational practice of complex geometry modeling, performance optimization and geometry rationalization and dynamic agent simulation.
http://www.atlv.org/project/index.html/[:]
[:Tw]杉原悟是ATLV數位設計事務所的總監與創始人，ATLV創立於2012年。在事務所成立之前，他曾在Morphosis建築師事物所工作長達五年，期間參與大規模建設項目，包括競圖與研究項目。他還曾在DR_D和Greg Lynn FORM的事務所擔任建築設計師，並在東京的媒體藝術和互動設計中心擔任研究學者。目前他在SCI-Arc (美國南加州建築學院)教導電腦數位設計。他另外也在加州大學洛杉磯分校、巴黎拉維列特建築學院、東京藝術大學、AA Bilbao訪問學校及英屬哥倫比亞大學教導電腦數位設計，杉原悟於2001年取得東京工業大學計算機科學碩士，並在2006年取得加州大學洛杉磯分校的建築碩士。他在2014年在ACADIA得到最佳論文獎。也在2015年於巴黎的AA[N + 1]畫廊舉辦個展“Agent-Based Computational Design”。他還開發了iGeo軟體，藉由開放分享它發展出複雜幾何原型，性能優化與幾何合理化的形式，對計算數位設計工業與教育多所貢獻。
http://atlv.org/project/index.html
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Mike Rijnierse (NL)
artist
[:en]Mike Rijnierse is an artist known for his large scale site specific installations, where the audience gets incorporated into the context of the work. In 2005 he developed the 16 channel sound installation PAN which stretched out along a 170 meter path inside of the sculpture garden of the Kröller-Müller Museum for the opening of Kijk Uit!/Attention! by Krijn Giezen. In 2008 Mike received the BNG Project Price for the work LUMOKINESE, a kinetic light installation based on the interplay of light and color in its architectural context, which was shown in various places including the Transmediale in Berlin. The research on light and color in architectural context is an ongoing theme in the work of the artist. Apart from installations, he develops music theater as a member of the Rosa Ensemble, a contemporary music theater collective which operates more as a band than as a theater group. In which Mike is part of the whole development and performance on stage. His installations and performances are instruments in which dialogue and interaction are developed for sensory investigation, as a platform for interdisciplinary research. The relation of space and time or the geography and the perception of the observer are used as parameters for development of the muse. As a docent at Interaction Design department of ArtEZ Art Academy, Arnhem (NL) since 2009, Mike developed the course Design of Instruments. The course is focused on the development of new design tools and instruments. Mike Rijnierse was involved in the founding and the development of project and workspaces such as De Vloek, Scheveningen and DCR, The Hague. Today he is based at Quartair, Contemporary Artist Initiatives in The Hague, where he runs a studio together with Ludmila Rodrigues and is as part of the Quartair collective responsible for management and programming of the project space of Quartair. Graduated at the Interfaculty Image and Sound (today ArtScience Interfaculty) at the Royal Academy of Art and the Royal Conservatoire of The Hague (2001). Currently studying at MSc Media Technology, Leiden University (NL).
http://mikerijnierse.nl/[:]
[:Tw]Mike Rijnierse是大型作品的裝置藝術家，通常將觀眾被納入其作品的範籌中。 2005年，在荷蘭的Kröller-Müller博物館的雕塑公園裡，他開發了沿著170米路徑的16聲道聲音裝置“PAN！”作為KrijnGiezen的KijkUIT的開幕式中的裝置作品。 2008年，Mike獲得BNG的贊助，作品“LUMOKINESE”是動力燈光裝置，這是基於光線與色彩在其建築的環境下，在不同的地方呈現，包括於柏林Transmediale。建築環境光線和色彩的研究是藝術家的工作正在進行主題。此外，他作為發展了音樂劇場Rosa Ensemble的一員，Rosa Ensemble是一個當代的音樂劇場，比起劇場它更像是一個樂隊。Mike參與音樂劇場發展和表演。他的裝置與表演都在研究開發感官對話和互動，並做為跨學科的研究平台。空間與時間，或地理與觀察者的關係作為發展思考的參數。自2009年起在ArtEZ藝術學院，Arnhem（荷蘭）的互動設計系的擔任講師，課程著重在新的設計工具的發展。Mile更參與不同發展計畫和工作空間的項目，如De Vloek,Scheveningen and DCR, The Hague.。在海牙，Mik與Ludmila Rodriguest成立工作室，並作為Quartair項目的一部分。Mike Rijnierse畢業於藝術的皇家藝術學院的影像與聲音系（今日所謂藝術科學）。和海牙皇家音樂學院（2001）目前在萊頓大學（荷蘭）研讀媒體科技研究所。[:]
Studio3
Jen-Hwang Ho (TW)
architect
[:en]Jenhwang Ho graduated from multiple disciplines with BA Sociology NTU, MArch Architecture THU, and MA Landscape Urbanism AA, and is a licensed architect in Taiwan with many occasions of participating and managing realized projects in his previous working experience in Taipei (Shu Chang, Arctangent) and London (Zaha). He is currently a full time assistant professor teaching in Graduate Institute Architecture, NCTU. Jenhwang Ho’s teaching focuses on integrated spatial strategies, architecture/ urban design, and design methodologies. He emphasizes the themes of adaptive, morphogenetic, and parametric design on the basis of sustainable and ecological frameworks, and experimentation and exploration in each research design process. He had played an important role in conducting the contemporary paradigm shift in Architecture Department, NTUT during 2009-2014 as a full time tutor, in which parametric media and morphogenetic thinking were introduced as visionary tools for design research and development. Jenhwang take the role of architect as “Agent” of dealing with conditions and resources. He is recently engaged in projects of creating events to generate dialogues between government and local communities for further urban regeneration policy making, as well as introducing emerging concepts in the school and actions in the streets to provoking social effect of art works in the urban field.[:]
[:Tw]何震寰有著不同領域的背景，臺灣大學社會學系學士、東海大學建築系碩士與英國AA 建築聯盟碩士 Landscape UrbanismＭＡ，是台灣註冊建築師，在張樞建築師事務所與英國ZahaHadidArchitects期間，參與多項計畫。他目前在交通大學建築研究所擔任全職助理教授。何震寰教學著重於空間的整合策略，建築/城市設計和設計方法。他強調適應性的型態發生與在永續生態架構下的參數式設計，及在每個研究設計過程中實驗和探究。在2009 至2014期間，他任教於台北科技大學建築系，他對於北科建築系在當代設計模式的轉變中，扮演關鍵的角色。在北科大期間，他將參數式設計與型態發生的思考方式，作為工具並帶入設計研究中。何震寰將建築師的角色作為與外界溝通的“媒介”。他近來從事都市更新政策的制定，著重政府和當地社區之間的對話，並藉由學校中的新概念與街頭中的行動，激起城市中藝術作品的社會效果。[:]
Ludmila Rodrigue (BR/NL)
artist
[:en]Ludmila Rodrigues was born in Rio de Janeiro (Brazil, 1979). As a child she used to draw and to dance. As a teenager she wanted to become a filmmaker. In 2006 she graduated in Architecture and Urban Planning at UFRJ (Federal University of Rio de Janeiro). In 2013 she completed a second bachelor in the Artscience Interfaculty, KABK/Koncon (Royal Academy of Art / Royal Conservatory) in The Hague, The Netherlands. Since then Ludmila works as an independent artist and designer freelancer. Fascinated by the dynamics of physical processes, proprioception and collective-social experiences, she creates situations, spaces and devices to engage the audience in a physical action. Currently with an atelier at Quartair, Ludmila shares an artistic initiative with partner Mike Rijnierse. Together they research and perform since 2011.Ludmila is also part of CLOUD, platform & studio for dance & movement in The Hague. In a collaboration with various choreographers, she organizes the dance evenings of CLOUD Club.
http://www.tinamustao.com/[:]
[:Tw]Ludmila Rodrigues出生於里約熱內盧（巴西，1979年）。小時候，她喜歡繪畫和跳舞。十幾歲的時候，她想成為一名電影導演。 2006年，她畢業於建築與都市規劃系（里約熱內盧聯邦大學）。 2013年，她在荷蘭海牙取得藝術科學的KABK / Koncon（皇家藝術學院/皇家音樂學院）的第二學士學位。此後，Ludmila作為一個獨立的藝術家和設計師。基於對動態的物理過程、本體感覺與集體社會經驗的興趣，她創造一個的情境、空間和裝置與觀眾連接。 目前Ludmila與Mike Rijnierse一起參與Quartair的創作。（自2011年起，他們即一起研究與表演），此外， Ludmila也參與在於荷蘭海牙的“雲“藝術活動工作室，並與不同的編舞家合作，組織CLOUD的相關活動與課程。
http://www.tinamustao.com/[:]
Studio4
Manuel Jiménez García (SPN/UK)
architect
[:en]Manuel Jiménez García is currently Course Master of Research Cluster 4 at the MArch Graduate Architectural Design (GAD) and Unit Master of MArch Unit 19, both at The Bartlett School of Architecture (UCL)(London); he is also curator of the Bartlett Computational Plexus and Programme Director at the Architectural Association’s Visiting School in Madrid (AAVSM). He has taught and run workshops at Architectural Association’s Design Research Laboratory (AADRL) (London), Polytechnic University of Architecture (Madrid), European University Madrid and L’École Spéciale d’Architecture (Paris). Manuel graduated in Architecture from the European University of Madrid, he holds a masters in Architecture + Urbanism (AADRL) from Architectural Association and a masters in Design and Computer modeling from CICE new technologies professional school. He has worked as an architect for the offices of Rogers Stirk Harbour + Partners, Minimaforms, Amid(cero9) and Naja & deOstos, participating actively in multiple international recognised projects. Manuel Jimenez is a registered Architect at the ARB Architects Registration Board. He is the co-founder of Ctrl+M and madMdesign, an architecture practice based in London. His work has been featured widely in Acadia 2012 (San Francisco), Royal Academy Summer Exhibition (London), X Bienal Española de Arquitectura (Spain), and Rethinking the Human in Technology Driven Architecture 2011 (Crete).
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[:Tw]Manuel Jiménez García為倫敦大學巴特雷學院GAD RC4研究所及MArch 第19組的指導老師，他同時也是Bartlett Computational Plexus及AA建築聯盟學院馬德里訪問分校(AAVSM).的主導及創辦人，在Manuel任教於倫敦大學以前，他曾在倫敦AA DRL、Polytechnic University of Architecture (馬德里), European University Madrid and L’École Spéciale d’Architecture (巴黎)等學校擔任數位工作營課程之指導老師。Manuel畢業於英國AA 建築聯盟學院DRL及CICE設計與電腦運算研究所，並且是英國ARB註冊之皇家建築師，曾服務於Rogers Stirk Harbour + Partners, Minimaforms, Amid(cero9) and Naja & deOstos等國際頂尖事務所，參與項目遍布全球。他所創辦的Ctrl+M及madMdesign是以倫敦為據點成立之建築設計公司，作品展覽曾於如Acadia(舊金山)，倫敦皇家夏季展覽中心, X Bienal Española de Arquitectura (Spain),及 Rethinking the Human in Technology Driven Architecture 2011 (Crete)等地方。
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Wei-Chieh Shih (TW)
artist
[:en]Shih Wei Chieh is a media artist, e-textile prototype designer and a self-taught material researcher, graduated from Media Communication Design of Taipei Shih Chien University in 2010. He now works as a full time artist and e-textile consultant based in Taipei. He has taught e-textile, smart materials workshops to maker spaces in Taipei, Fashion Department of Shih Chien University, E-textile Summer Camp in Pillared in Paris and was also invited to Drexel University in Philadelphia for a visiting scholar project in 2016. His work has been presented in many global platforms and festivals collaboratively, such as CTM Festival Berlin, SXSW Festival Texas, Adafruit NYU, Youfab Festival Tokyo. His material practice focuses on stretchable circuits application in textile industry, printed circuits, photoelectric chemicals and laser processing related materials. He was funded for a 2 months long textile research residency and a 6 months long fair-trade collaboration with a local NGO (Bandui Lab) and Aztec groups in Mexico in 2013. Shih Wei Chieh was inspired to work with Taiwanese traditional textile communities, and he continuously uses technology to explore the relation between traditional textile technique, society and new materials.
http://cargocollective.com/shihweichieh[:][:Tw]施惟捷為數位媒體藝術家，電子紡織設計師與穿戴式裝置的材料的研究者，他於2010年畢業於實踐大學媒體傳達學系，現為定局於台北的專職藝術家並提供數位織品諮商。他在實踐大學服裝設計系開設電子紡織與穿戴式裝置的材料的工作坊、於巴黎的Pillared數位織品的夏季工作坊，並在2016年受邀到費城Drexel大學訪問學者。他的作品在全球各式的平台可見：如伯林的CTM Festival、德州的SXSW Festival、NYU Adafruit、東京的Youfab。他的媒材著重於紡織的電路應用，印刷電路，光電化學品和激光加工相關材料。 他曾有2個月的駐村時間作紡織的研究，並於2013年於與當地非政府組織（Bandui實驗室）及於墨西哥的Aztec集團合作長達6個月之久的公平貿易。施惟捷的靈感啟發來自於與台灣傳統紡織社區合作，並不斷地運用技術來探索傳統的紡織技術、社會與新材料之間的關係。
http://cargocollective.com/shihweichieh[:]
Collaborators
Doreen Bernath (UK)
[:en]Doreen Bernath is an architect and a theorist across disciplines of design, technology, philosophy, visual art and cultures. She is a founding partner of SpaceMedia Int. Doreen completed her PhD at AA London with the award of RIBA LKE Ozolins Scholarship. The thesis went on to be one of the fourfinalists for 2011 RIBA President’s Research Award for Outstanding Thesis. She studied BA and MA at University of Cambridge, then for many years practiced professionally in London, Shanghai and Taipei. Since 2006, she taught extensively and participated in research projects in universities across UK, Germany, Costa Rica, China and Taiwan. Her publications explore specialized topics ranging from representation, digital media to transcultural studies. She was an editor of Scroope 13, the architectural journal of the University of Cambridge. Her articles and research output have appeared in Time+Architecture magazine in China, Dialogue magazine in Taiwan, in the research journal of the Asia Centre at the London School of Economics, the Architectural Association Fulcrum, and in Revistarquis, the architectural journal of the University of Costa Rica. She is currently teaching history and theory in Diploma and DRL at Architectural Association School of Architecture、UCL Bartlett and LEED University. Doreen is also the director and co-founder of DEZACT.[:]
[:Tw]Doreen Bernath 為一建築師及建築理論學者，專長為數位建築理論研究，其研究方向及內容橫跨設計、科技、哲學、藝術及文化等議題。Doreen 大學及研究所皆畢業於英國劍橋大學，Doreen於AA建築聯盟學院攻讀博士學位時曾獲頒RIBA LKE Ozolins獎學金以資助其研究計畫，Doreen博士論文發表更獲選為2011年皇家建築師協會之 年度最優秀研究論文。Doreen曾分別於台灣、中國與英國等地工作，從2006年開始，Doreen積極參與建築教學活動及跨英國、德國、哥斯大黎加、 中國與台灣進行研究計畫。Doreen曾是劍橋大學建築學術期刊Scroope 13編輯，Doreen近期所出版之學術論文含概了數位媒體、數位再現及跨文化研究等等，Doreen除了是DEZACT及 SpaceMedia Int共同創辦人外，也是DEZACT主持人。Doreen目前任教於AA Diploma、DRL及倫敦大學巴特雷學院之歷史及理論課程與英國里茲大學 。[:]
Stephanie Pan (USA/NL)
Stephanie Pan is a singer, maker, performance artist and multi-instrumentalist currently based in The Hague, the Netherlands. She performs in experimental music, new music, experimental theater, and early music, specializing in extended vocal techniques and live improvisation. At the root of her work is the notion of pure communication; finding a form of contact with the audience which is stripped of social expectations and distractions, that speaks beyond the conventional and social limitations and constructs of language. A mutating combination of theater/performance art/experimental music/improvisation/controlled chaos/pop music/classical music, her work is visceral, passionate and intense, and often explores the limits of the body and voice. She has performed throughout the US and Europe, and has presented both solo and collaborative work in venues and festivals as varied as CTM Festival Berlin, Young Vic Theatre London, Amsterdamse Stadsschouwburg, Incubate Festival, Dag in De Branding, dOCUMENTA, IDFA, Beursschouwburg Brussel, and Gemeentemuseum Den Haag. She has created and performed work with a wide variety of groups/collaborators such as acclaimed rebel theatre group Belarus Free Theatre, Rosa Ensemble, De Veenfabriek, filmmaker Jeanette Groenendaal, and composers Stelios Manousakis, Trevor Weston, Barbara Ellison and Jasna Velickovic. Additionally she has co-founded several groups such as Computer Aided Breathing, a trio for voice, organ and live electronics devoted to live improvisation, and Center no Distractor, a duo for taiko and live electronics. As a Medievalist, she has recorded with Sequentia, and was a founding member of Scivias Chor and Ars Choralis Coeln. Ms. Pan received her Masters in Theatre from DasArts: Advanced Studies in the Performing Arts (AHK), and holds a BA from UC Berkeley in Music and Applied Mathematics, and a First Phase Diploma, with distinction, in Classical Singing from The Royal Conservatory, The Hague.
http://stephaniepan.com/
Ping-Hsiang Chen (TW/UK)
Stelios Manousakis (GRE/NL)
[:Tw]Ping-Hsiang Chen 是一建築及數位程序運算設計師，專長為參數化設計，環境模擬，及多媒體互動設計，Ping-Hsiang畢業於AA建築聯盟學院並取得第一和二級建築師資格，研究所於倫敦西敏市大學專攻於建築與數位媒體設計。他是[IN] Morph Lab的創辦人，並長期以電腦運算，互動設計和數位製造等方向進行研究與教學，其中對於複雜幾何及程序幾何生成的長期研究，曾獲得Smart Geometry先進數位科技建築應用研討會獎學金並於其論壇和相關研究期刊發表作品。他曾服務於美國知名KPF建築事務所以及倫敦Shaga Studio，參與項目尺度從空間裝置、建築外觀至都市設計皆有相關經驗，他曾於實踐大學建築設計學系及AA以色列訪問學校指導建築與參數化設計課程，他是AA數位製造研究室之工作營常任教師，曾指導及參與多所數位製造實驗室之創辦，他在建築及藝術方面的作品曾於英國及美國展出。
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Stelios Manousakis (Crete, Greece, 1980) is a composer, performer, sound artist, and researcher. He operates across the convergence zones of art, science, and engineering / composition, performance, and installation / the rich tradition of western sonic art and ‘digital-folk’ idioms. His work is visceral yet cerebral, communicating through pure, raw experience while being complex and multilayered. His output extends from music performance – most often with live electronics – to intermedia and sound art installations, to fixed medium pieces and film music. Many of these works merge algorithmic finesse with the expressiveness of improvisation, or the immediacy of audience participation. They are often designed as emergent (eco)systems or organisms, unearthing rich and organic worlds through artistic reinventions of models from complexity science, cybernetics and biology. Manousakis’ work has been shown in festivals, venues, centers, museums and galleries across Europe, the Americas, and the Middle East. Besides his solo work, he has co-founded several music ensembles, multimedia groups, and most recently the intermedial ‘Modern Body Festival’. Manousakis studied music and linguistics in Greece, Sonology in the Netherlands, and is currently finishing a PhD in Visual and Performing Arts at the Center for Digital Arts and Experimental Media (DXARTS, University of Washington, Seattle, USA).
http://modularbrains.net/
Yu-Chih Hsiao (TW)
Clive Eveleigh (UK)
http://yuchihhsiao.net/filter/PROJECT[:][:Tw]蕭有志近年的創作植基於一個他稱為「大量交織」(Mega-weaving) 的概念。「大量交織」關注環境與文化議題，強調文化多樣性，關注人與人之間、群體與群體之間的合作與互動，同時也強調藉由資源傳輸與轉化將資源效益最大化，使過剩 成為養份(Waste = Food)。作為一個大量交織的實踐者，蕭有志在教學、方案、非營利與藝術創作等四個路線同步進行實驗，這四個路線的發展過程中往往又會彼此交錯，許多跨 方案的資源整合也在這之中發酵，另外也透過資源交換的模型嫁接於一般資本市場的方案運作法則，許多方案在極低限的預算中卻也能轉化出豐碩的成果。例如自2008返台於實踐任教開始即持續在設計課程中帶領學生操作「一百元的大直社區改造計畫」，限定學生每人在一百元的預算內外加回收材料對大直店家持 續進行微型空間改造，企圖在限縮資源的前提下讓新一代設計人放大資源的效益，並學習主動挖掘公共議題反映在空間腳本上，另一方面一體兩面的創造都市公私領 域的雙贏。2009年起持續與非營利組織、民間基金會、社區組織與個人合作，轉化學生的設計力成為社會可用的資源，以此進行一系列的社區書屋空間改造、社區振興創意策略，並多次組織與帶領學生參與設計或規劃工作營，針對各種城鄉公共空間議題進行模擬設計與規劃。在設計方案的實踐中，近來主要探討社會一般慣行營造工法與營造體系的永續性，嘗試以自然素材與相關工法取代現下慣行的空間化妝術。在創作方面，強調物的創 造其目的在於做為人與人之間形成關係的中介物，除繪畫外，近年來著重在微型空間的都市游移，並以此作為擾動都市既有環境的手段。
http://yuchihhsiao.net/filter/PROJECT[:]
Clive Eveleigh is director of design at WWarc.Taipei.Heis the founder of ZERo-studio, an architectural practice which recently reoriented its focus from a design company to a research platform to address the new transitional environment caused by the need for the built environment to adapt to the new reality. He has been teaching 4th and 5thyear . Architecture at Shih Chien University Taipei since 2007.He learnt sustainable architecture under the recent Canadian Gold medal winner Peter Busby at Busby Perkins and Will in Vancouver and is a member of the Canadian Green Building Council since 2005. He has a vast amount of professional experience having completed projects in all sectors in the UK, Canada, Taipei and China. His teaching focuses on issues of sustainability and new technology, crossing all disciplines from adaptive art, fashion, and the environment, seeking to identify issues that may challenge society, solving
them creatively.
Wei-Haw Wang (TW/UK)
Tivon Rice (USA)
[:en]Weihaw was born in Taiwan and had spent most of his professional career in the UK. He is a UK registered architect now based in Taiwan and Japan. His practice deals with small non-computational residential projects, and in the meantime provides technical consultation for the parametric / computational department of private architectural corporation. Weihaw had studied and worked in the UK for nearly 10 years. He was graduates from the Bartlett school, UCL, where he began regularly using rhinoscript regularly and professionally. He was conducting a rhinoscript technical workshop for the MTech, AA in 2006 and grasshopper workshops in London Metropolitan University in 2009. While he was at KPF London, he had been working on various projects which required parametric inputs on daily basis. Those projects include airport terminal, football stadium, mixed-use high rise, and private space installations.
http://www.sawara.co.uk/#!about1/csnw
[:][:Tw] WeiHaw出生於台灣，並在英國度過了他的大部分職業生涯。他是英國註冊建築師現於台灣和日本工作。他除了參與一般住宅項目外，並為私人建築事務所提供參數/電腦數位技術的諮詢。 Wei-Haw在英國求學及工作了近10年，他畢業於英國倫敦大學Bartlett 學院，在那裡他開始經常且定期運用Rhinoscript等程序設計。2006年，他在AA的建築研究所(MTech)指導運用Rhinoscript之設計應用，並於2009年，於倫敦都會大學指導Grasshopper的工作坊。而他在倫敦KPF事務所工作的期間，持續地在設計項目中研究參數的建築導入。這些項目包括機場候機大廳，足球場，混合使用的高層建築與私人空間的設計。 [:]
Tivon Rice’s work critically explores representation and communication in the context of digital technologies. Both fascinated with and wary of the speed of televisual media, Rice creates systems that pair immediate materials such as light, space, and tangible forms with live and recorded sound and video. With these installations, he engages spectators and participants with direct physical situations, as well as processes that unfold over longer durations. By activating one’s awareness of color, time, and space Rice creates opportunities for dynamic, active viewing. While his practice is primarily concerned with emerging social relationships to digital technology, Rice draws heavily from art historical themes. In doing so, he examines the conditions of surrealist and minimalist attitudes in contemporary new-media arts. This practice informs recent large-scale installations, as well as images and sculptures which incorporate the particular patterns, textures, and processes inherent in digital media. Rice (b. 1978) is a 2011-12 Fulbright Scholar, and a PhD candidate at the University of Washington’s Center for Digital Art and Experimental Media, where he teaches courses in Video Art and Installation.
http://www.tivonrice.com/Tivon_Rice/Projects/Projects.html
Shi-Yen Wu (TW)
Christina Dahdaleh (UK)
[:en]Shi-Yen Wu is a professional artist and assistant professor at the National Taiwan University of Science and Technology. He gained his Master of Fine Art from the Taipei National University of the Arts. Shi-Yen has taught architecture design and international design competition, drawing and digital fabrication at many leading academic institutions such as National United University and National Taipei University of Technology, department of architecture. He recently established the digital fabrication lab in the National Taiwan University of Science and Technology with a focus on collaborating with international academia and organizations such as AA, UCL and DEZACT (UK) to develop a new educational model in architectural construction. He is currently serving as a visiting scholar in the UK. He has previously worked as a confidential secretary of the ministry of culture in the past. He is also a curator of the Tibetan film festival in Taiwan.
[:][:Tw]吳細顏目前是國立臺灣科技大學助理教授及藝術家，擁有國立臺北藝術大學科技藝術碩士學位同時也是建築博士候選人。曾任教於國立臺北科技大學及國立聯合大學等校，近年專注於數位製造、建築設計、國際競賽與手繪教學等，並主持國立臺灣科技大學數位自造實驗室，推廣數位設計製造及自造教育活動。多次策辦國際級設計工作營及影展活動，並且榮獲十多項國際設計大獎肯定，目前由臺灣人才躍昇計畫選送英國倫敦擔任訪問學者。 [:]
Christina Dahdaleh is currently working at the Bartlett School of Architecture as a visiting Lecturer, and as an assistant tutor at the AA Visiting School Madrid and the UEMadrid MUA MArch. She is also working at MadMDesign (UK) as a member of the research team, collaborating on the development of a flexible 3d printed pavilion, as well as a series of digitally manufactured furniture pieces. Christina holds a Masters in Architecture from the Bartlett School of Architecture (UCL- London), 2015; and a first class honours in Bachelor Degree in Architecture from the Kent School of Architecture, 2012. She Christina has also previously worked in several well renowned architecture offices; RTKL (UK), Guy Holloway architects (UK), Faris and Faris Architects (Jordan) and Jaafar Toukan Architecture (Jordan). She was involved in the production and designing for international clients based in the Middle East, South East Asia and Europe. Christina’s experience also extends into the lm and theatre industry. She has worked on several feature films as a wardrobe and set design assistant, the most recent being ‘Rosewater’, a feature directed by John Stewart.
http://christinadahdaleh.com/
